Mura movie review: Suraj Venjaramoodu’s film fails to use its full potential

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Despite having galore nether his command, Ani rapidly notices the 4 newcomers for their fearlessness and agility. Their loyalty and courageousness successful helping him evade the constabulary erstwhile — including warring disconnected the officers — further endear them to him. So, erstwhile helium receives a occupation to bargain a ample sum of achromatic wealth hidden successful a warehouse successful Tamil Nadu, helium assigns the ngo to Anandhu and his friends. They judge eagerly, hoping this ngo volition yet bring them the wealthiness and respect they crave. With the enactment of Sitru (Vigneshwar Suresh) and Malar (Krish Hassan) — 2 young men who antecedently failed astatine the task — they embark connected a travel fraught with life-threatening obstacles. Little bash they cognize that this travel volition alteration their lives forever, with the remainder of the movie pursuing their way guardant and the consequences that unfold.

While astir transgression thrillers and gangster films are packed with “mass” moments astatine each crook to thrill audiences, Musthafa and writer Suresh Babu instrumentality a much restrained approach, focusing connected actions and consequences and allowing them to unfold naturally, without overt dramatisation oregon excessive cinematic flair. As the movie opens, we spot Anandhu, Saji, Manaf and Manu arsenic 4 young men drawn into the city’s underworld, driven by youthful impulsiveness and naivety, relishing the powerfulness and thrill of being known arsenic “Ani’s men.” But soon enough, they travel to realise that it’s a labyrinth they’ve entered. In Mura, nary quality escapes the repercussions of their actions; and Musthafa and Suresh Babu marque definite each 1 yet reaps what they person sown.

Watch Mura trailer here:

The film’s archetypal fractional mostly focuses connected the making of goondas and the mode the elite — including Ani, who sports a kumkum people connected his forehead each the time, symbolising devotion to gods — exploit the fiscal vulnerabilities of the mediocre to works desires of starring amended lives wrong them, and it’s evident that galore of Ani’s pack members travel from lowered castes. Mura besides underscores however the humanities signifier of savarna elites manipulating lowered castes for their ain soiled work, utilizing the illusion of a amended life, continues adjacent today, with the younger procreation present becoming the superior targets.

However, the movie struggles to marque viewers consciousness sympathetic towards the 4 youths owed to the changeless bombardment of crimes. Although we spot the 4 protagonists unneurotic often and drawback glimpses of their camaraderie, the communicative seldom explores their lives beyond the satellite of crimes. Their conversations mostly revolve astir past oregon upcoming transgression activities, which limits the audience’s knowing of their different shades. The film’s dense accent connected unit undermines its affectional extent and portion the enactment sequences are compelling, they don’t compensate for the deficiency of affectional nuance successful the portrayal of the 4 characters. Suresh’s penning besides falters successful the dialogue, arsenic it fails to bespeak the existent quality of friendships. Makers should retrieve that friends don’t perpetually code each different by their archetypal names, yet here, we often perceive Anandhu saying “Da Saji, Manaf, Manu” and others pursuing suit, making their relationships look first-name-basis and one-dimensional.

Anujith Kannan, Vigneshwar Suresh, Hridhu Haroon, Yedhukrishnan, Krish Hassan and Jobin Das impressment successful their roles and their on-screen chemistry elevates the film. (Image: Mura/Instagram)

While the movie shows the 4 facing the consequences of their choices, it misses the accidental to research the societal and economical factors that thrust young radical into a beingness of crime. Mura besides stops abbreviated of condemning the exploitation of young recruits by the elite. Instead, for overmuch of the film, it appears arsenic though the 4 are starring a bully beingness arsenic portion of Ani’s gang, sending a problematic message. This portrayal adjacent risks suggesting that crimes could beryllium a viable livelihood if 1 is cunning capable to debar death. At times, the glamorisation of transgression activities is troubling, peculiarly with Christy Joby’s awesome soundtrack, which, portion stellar, gives the communicative a code that tin consciousness inappropriately positive.

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Suraj Venjaramoodu gives a beardown show here, arsenic usual, though 1 tin observe shades of his erstwhile roles, which somewhat detracts from the freshness of his character. Hridhu, Jobin, Anujith, Yedhukrishnan, Vigneshwar and Krish impressment successful their roles, and their on-screen chemistry elevates the film. Maala Parvathi’s quality is compelling and it’s refreshing to spot a almighty pistillate antagonist, though she ne'er afloat owns the role. Kani Kusruti, contempt having constricted surface time, delivers a polished performance. Fazil Nazer’s cinematography and Chaman Chakko’s editing heighten Mura’s style, deserving peculiar mention. The opus “Noolilla Karakkam,” sung by histrion Sreenath Bhasi, is besides memorable and apt to enactment with viewers for immoderate time.

Mura movie cast: Suraj Venjaramoodu, Hridhu Haroon, Maala Parvathi
Mura movie director: Muhammed Musthafa
Mura movie rating: 2.5 stars