For a agelong time, I wondered however chill it would beryllium if we each spoke successful poesy alternatively of prose — utilizing allegories, rhythmic words, and possibly adjacent sticking to a metre. But manager Siva and histrion Suriya person shown maine that my thought is truthful anserine that nary 1 should effort it; proving that immoderate fantasies are amended near unexplored arsenic well. That said, Kanguva besides made maine realise I mightiness person been acold excessively harsh connected Venkat Prabhu and “Thalapathy” Vijay for The Greatest of All Time (GOAT), and Koratala Siva and Jr NTR for Devara: Part 1, reasoning that they were the sloppiest big-budget “pan-Indian” films of caller times. I didn’t halt to see that thing worse mightiness beryllium connected the horizon; and yet, present we are. Also, bully grief, neither did I expect S Shankar and Kamal Haasan’s Indian 2 would find a lucifer successful presumption of awfulness this twelvemonth itself; that’s immoderate achievement!
Torn betwixt 2 eras — 1070 and 2024 AD — and agreed by destiny and a committedness that binds 2 persons crossed centuries and lifetimes, Kanguva’s basal plot, though tried and tested, is decent and could person made up for a bully movie if handled well. From Madhumati, Dead Again, The Fountain, Om Shanti Om and Cloud Atlas to Arundhati, Magadheera and the Baahubali films, galore films person explored this crux successful antithetic manners — immoderate succeeding, others falling short. Nonetheless, the premise is intriguing, with plentifulness of country to research intertwined destinies done melodramatic storytelling. However, it’s arsenic if the makers of Kanguva utilized up each their brains crafting the visuals for the 1070s portions that they simply did not person immoderate near to make the existent epoch and ended up making a mockery of themselves here.
After a little intro acceptable successful 1070, we are instantly taken to 2024 wherever a lad named Zeta escapes from a Russian biomedical installation adjacent the Indian border. Zeta is 1 of the galore children detained astatine the centre and subjected to experiments aimed astatine reprogramming them to make superhuman abilities and among his powers is telekinesis, which helium predominantly channels done his hands, arsenic shown towards the extremity of the movie. If Zeta reminds you of Eleven aka Jane Hopper (Millie Bobby Brown) from Netflix’s Stranger Things, you ain’t unsocial my friend. But seriously, who would shamelessly assistance a quality from 1 of the world’s astir fashionable shows and propulsion it into a movie with zero effort to disguise it?
Though Kanguva isn’t arsenic atrocious arsenic Indian 2 overall, the archetypal enactment — revolving astir bounty huntsman Francis Theodore (Suriya successful his 2nd role) — showed alarming imaginable to beryllium conscionable arsenic dreadful. In fact, definite portions are truthful poorly executed that they rival the atrocious anti-gravity and pativrata varmam scenes successful the Kamal Haasan-starrer. Laden with caricaturish moments and “jokes” that neglect to amuse adjacent with relentless tickling, the publication by Adi Narayana and Siva is truthful egregiously mediocre successful these parts that it’s hard to deliberation a squad of seasoned movie unit approved this mess.
Watch Kanguva trailer here:
If Vijay’s instauration successful GOAT — disguised arsenic a young “Captain” Vijayakanth — was a letdown, Suriya’s instauration present is outright infuriating. With a moving commentary by his sidekick Colt 95 (Yogi Babu), Francis’ assemblage is revealed portion by portion during a fight, culminating successful a afloat quality that leaves the assemblage bewildered, asking, “But why?!” Shortly after, we conscionable Francis’ ex-girlfriend Angelina (Disha Patani) and her bestie Accelerator (Redin Kingsley), who are rival bounty hunters. In an evident effort to disguise the communicative emptiness, Siva crams the frames with excessive machine graphics, which tin lone beryllium dubbed arsenic an effort to warrant the astronomical budget spent connected VFX.
In Lokesh Kanagaraj’s Vikram, the climactic enactment series uses substance overlays to uncover the identities of the achromatic ops squad’s aviator batch, a prime that aligns seamlessly with the film’s bushed and tone. In Kanguva, a akin method is utilized successful the archetypal enactment to present galore of the formed members, with on-screen substance bearing their details. However, the execution is truthful amateurish that it resembles a PowerPoint disaster, proving that adjacent bully originative ideas shouldn’t beryllium shoehorned into a movie if they don’t align with its wide aesthetics. Despite the bulk of Kanguva being a superior action-adventure, the archetypal enactment feels similar a parody oregon botched psychedelic experiment, drenched successful fluorescent hues; and adjacent if this premix of tones was intentional, the execution is truthful disjointed and unnatural that it feels wholly forced.
Kanguva stars Suriya successful dual roles.
While Suriya and Disha’s chemistry stands astatine zero throughout, the anemic writing, compounded by the implicit deficiency of effort successful processing Francis and Angelina arsenic characters, lone worsens the concern and the effort to transmission a Mr & Mrs Smith (2005) dynamic betwixt them backfires, arsenic the publication fails to supply thing remotely engaging. Also, the typecasting of Kingsley arsenic the astir irritating beingness connected surface continues successful Kanguva arsenic well, with the Angelina-Accelerator way being downright dreadful.
Although the opus “YOLO” — which excessively appears successful the archetypal enactment and the visuals marque it look similar a big-budget poorly-made advertisement movie — should person worked successful specified a mode that portion establishing Francis arsenic a carefree idiosyncratic it besides helps successful making his eventual translation and his resoluteness to honour a committedness from a past beingness much impactful, the mediocre execution undermines this arc, making it hard to judge a “YOLO” feline would prosecute a random kid based purely connected ‘weird feeling’. Had Siva dialled down the psychedelic and pseudo-trippy elements, fixed little prominence to the assorted bikini sets designed for Disha to deterioration successful “YOLO”, and focused much connected the communicative nuances, Kanguva mightiness person been much compelling.
By the clip the movie immerses america afloat into the satellite of Kanguva, built impressively by accumulation decorator Milan, and the land of Perumaachi successful 1070, the harm has already been done. And adjacent if 1 tries to springiness the movie different chance, Adi Narayana and Siva’s publication fails to connection thing beyond a bid of clichéd “been there, seen that” moments. While galore person already discussed the movie’s dependable plan and lacklustre euphony a lot, my lone uncertainty is whether I’m the lone 1 who felt an eerie resemblance betwixt the Kanguva Glimpse BGM and the taxable opus from Uttama Villain.
By the clip the movie immerses america afloat into the satellite of Kanguva, the harm has already been done.
The trailer of the movie, unveiled successful August, includes the tagline “Awaken your tribal instincts,” and this warrants a captious discussion. For decades, elite storytellers person utilized the identities and lives of tribals successful 2 predominant ways: either by ridiculing indigenous radical and their lifestyles arsenic “primitive and uncivilised,” often turning them into objects of mockery — Malayalam movie Bamboo Boys being a peculiarly egregious illustration — oregon by dehumanising tribals arsenic simply violent, animalistic beings driven by savage instincts. This 2nd trope is evident successful films similar Indiana Jones and the Temple of Doom, Apocalypto and Baahubali: The Beginning. Such makers disregard the taste and societal ethos of tribal communities, failing to recognise them arsenic quality beings with chiseled lifestyles and traditions — conscionable arsenic radical from 2 countries connected antithetic continents mightiness travel vastly antithetic ways of life.
At the aforesaid time, tribal characters, beyond the cardinal fewer whitethorn be, are not adjacent fixed identities successful mainstream movies astir of the clip and are often reduced to nameless figures; and Kanguva excessively is plagued by each these problematic practices. While Perumaachi is depicted arsenic a noble land, the lone quality with immoderate individuality is Kanguva aka Kanga, the lad of chieftain Senthee (BS Avinash). However, adjacent helium suffers from mediocre characterisation; but that’s owing to subpar penning and not a implicit disregard for tribals. Characters similar Senthee and a chap Perumaachian Selumaara (Karunas), contempt predominant appearances, stay underdeveloped and ne'er emergence supra much than conscionable names. Meanwhile, successful the neighbouring land of Araththi, location to “notorious” people, person Udhiran (Bobby Deol) has a sanction and 3 “legitimate” sons, but nary of them person souls (be it bully oregon bad) of immoderate benignant and are one-dimensional figures whose sole intent is to perpetrate heinous acts. Though Kanga is presented arsenic an emblem of compassion and righteousness, too loyalty to his onshore and people, the different Perumaachians are denied the archetypal 2 traits and reduced to a faceless collective, further dehumanised and treated arsenic a herd.
Kanguva is apt to get a sequel.
As Koduvan (Natarajan Subramaniam), a antheral from different tribe, betrays the Perumaachians by aiding the Romans successful their conquest of the island, the natives punish him by burning him live successful beforehand of his woman and child, Poruva — whose reincarnation, successful immoderate form, is Zeta. After Koduvan’s woman besides leaps into the fire, entrusting Kanga with the work of raising Poruva, helium takes the lad nether his care, treating him similar a son. However, Poruva, consumed by choler implicit the injustices the Perumaachians inflicted connected his parents, betrays Kanga during a conflict by stabbing him successful the thorax to nonstop his revenge earlier fleeing the land. Despite the near-fatal wound, Kanga survives and pursues Poruva, determined to fulfil his committedness to the boy’s parent to support him. In speech for allowing Kanga to enactment by his side, Poruva is assured that Kanga volition willingly conscionable his extremity astatine Poruva’s hands aft completing his ngo to safeguard Perumaachi from the Romans and Udhiran. However, the mode this subplot unfolds is truthful silly, and erstwhile noticed, it’s hard to disregard however intimately it mirrors the appa-ponnu paasam successful Siva’s Viswasam — the lone twist being its mounting successful an past forest. Pair these scenes with Viswasam’s “Kannaana Kanney” way and the resemblance becomes intolerable to shingle off.
While the enactment sequences, choreographed by Supreme Sundar, are undeniably expansive — with highlights being the combat utilizing elephant tusks and the country wherever women, inspired by Kanga’s martial arts teachings, fiercely conflict their rivals — these moments excessively neglect to redeem the film. The Kanga vs crocodile fight, connected the different hand, feels similar a wide “every masterpiece has its inexpensive copy” instance, arsenic it’s intelligibly intended to replicate the adrenaline-pumping Bheem (Jr NTR) vs tiger series from RRR. Unfortunately, the Kanguva country comes disconnected arsenic a drawn-out and purposeless affair.
Suriya successful Kanguva.
Even the climactic enactment sequence, which had important potential, is yet undermined by Siva and exertion Nishadh Yusuf’s nonaccomplishment to execute the cross-cutting betwixt the 1070s and 2024 timelines seamlessly. The parallel struggles of Kanga and Francis to prevention Poruva and Zeta, respectively, are muddled by clunky making and the overwhelming cacophony of some Kanga’s and Poruva’s hopeless cries for help. While Suriya’s surface beingness and dedication person fixed Kanguva a chiseled image, his show doesn’t adjacent marque it to his apical 10.
The Rs 350-crore movie also highlights the troubling authorities of mainstream Indian filmmaking, wherever astir creators are incapable oregon don’t cognize however to trade a solid, choky script. Instead, they trust connected stringing unneurotic a series of events and attempting to marque multi-part films with immense budgets, claiming they are ambitious “pan-India” projects. It’s astonishing that the makers person already announced a sequel to Kanguva, contempt the movie being truthful lacking successful substance. What’s adjacent much troubling is that, successful spite of consecutive failures of specified projects, makers stay unwilling to bespeak connected wherefore their films fell abbreviated and are much funny successful suppressing nationalist sentiment and reviews, reasoning this would marque each their movies palmy nary substance however atrocious they are.
Had Siva adhered to the 1070 timeline and focused connected delivering astatine slightest a reasonably decent movie, alternatively than overstretching the communicative by paralleling it with a modern storyline and tacking connected a sequel tease featuring different large prima — Suriya’s member Karthi — promising 1 of the astir anticipated on-screen collaborations betwixt the siblings, Kanguva mightiness person been salvageable. Then again, who’s to accidental Siva wouldn’t person recovered yet different mode to spectacularly ruin his ain project?
Cinema cannot beryllium successful a vacuum; it’s each astir the discussions that follow. In the Cinema Anatomy column, we delve into the divers layers and dimensions of films, aiming to uncover deeper meanings and foster continuous discourses.