Filmmaker Ram Gopal Varma and histrion Urmila Matondkar’s concern has agelong been celebrated by movie buffs, and for bully reason. The duo softly but persistently delivered genre-defining films that stood isolated from mainstream Bollywood’s conventions.
Take Kaun (1999), for instance—a intelligence thriller that arrived successful the aforesaid twelvemonth arsenic Sooraj Barjatya’s regressive Hum Saath-Saath Hain and Sanjay Leela Bhansali’s women-infantilizing Hum Dil De Chuke Sanam. Though Kaun didn’t execute the aforesaid container bureau occurrence arsenic the different 2 movies, clip has solidified its spot arsenic a masterclass successful suspense filmmaking. Similarly, they gave audiences Bhoot (2003), a chilling fearfulness movie that released successful the aforesaid twelvemonth arsenic the guilt-inducing Baghban and the abysmal Main Prem Ki Diwani Hoon.
But it each began with Rangeela (1995), the movie that made Urmila Matondkar an overnight star, became a monolithic container bureau success, and kicked disconnected their decade-long originative partnership. In a caller interrogation with the Times Of India, Urmila said, “It’s not that I was successful each movie that Ramuji made. I americium definite helium didn’t deliberation that helium would enactment maine successful each movie either.” Though Urmila wasn’t successful each movie RGV made, she undoubtedly delivered immoderate of her career’s champion performances nether his direction. Let’s instrumentality a look astatine the films they made together.
Rangeela
While Rangeela is often considered RGV and Urmila’s archetypal collaboration, not galore cognize that the filmmaker had archetypal formed Urmila successful the forgettable Drohi. In an earlier enactment with Zoom, RGV revealed that erstwhile the choreographer didn’t crook up portion shooting Drohi, helium asked Urmila to creation connected her ain successful a song. When she successfully pulled it off, helium was convinced she was cleanable for Rangeela, a movie that would alteration her life.
In his biography Guns and Thighs, RGV admitted to being “mesmerized” by Urmila’s quality and however Rangeela made her “the nation’s enactment symbol,” —a statement that some helped and hindered her career. “One of my superior motives successful making Rangeela was to seizure Urmila’s quality eternally connected camera and to marque it a benchmark for enactment symbols. I would accidental that I person ne'er felt much of a cinematic precocious than erstwhile I watched her done my camera connected the sets of Rangeela,” helium wrote.
He besides confessed that portion Urmila was a “simple” miss during the shooting of Rangeela, helium had “unrealistic” expectations from her. “I don’t cognize however this whitethorn sound, but my biggest occupation with Urmila connected a idiosyncratic beforehand was that I conscionable couldn’t judge her being an mean quality being. I cognize that is simply a precise unrealistic anticipation from immoderate pistillate but past you person to recognize that I americium a precise filmy person. She was, successful person, a elemental sweetheart but I, precise selfishly, ever wanted her to beryllium larger-than-life adjacent successful existent life,” helium wrote.
Daud
Ram Gopal Varma’s 1997 roadworthy escapade drama Daud is 1 of his astir amusive experiments. Alongside Mast, it’s among his lightest collaborations with Urmila Matondkar. The movie besides stars Sanjay Dutt, and their on-screen chemistry was a highlight. However, contempt its quirky charm, Daud didn’t rather click astatine the container office. Even A.R. Rahman’s soundtrack—coming disconnected the monolithic occurrence of Rangeela—couldn’t recreate the aforesaid magic.
Satya
Story continues beneath this ad
When Urmila joined RGV’s career-defining Satya, she was the lone known look successful a formed that featured newcomers similar J.D. Chakravarthy and Manoj Bajpayee. While the movie would spell connected to go a cult classic, astatine the time, it was a immense hazard for Urmila to instrumentality connected a girl-next-door relation erstwhile she was playing pb roles successful large projects. “Rangeela made maine a immense prima and Satya made maine unlearn that. When you person spent galore years trying to go idiosyncratic and person to shed that presumption overnight to go a nobody, that was maine successful Satya,” she said.
The histrion besides revealed that she borrowed her mother’s aged sarees due to the fact that she thought they were cleanable for the role. “I americium gladsome I could usage my prima presumption successful a movie that went connected to go 1 of our finest,” she said.
Kaun
Kaun remains 1 of Urmila Matondkar’s astir singular performances, a movie that continues to haunt audiences agelong aft its release. In an interrogation with Hindustan Times, Urmila called it “the craziest of all.” Shot successful conscionable 15 days astatine a azygous location, with nary costume changes for the cast, Kaun stands retired arsenic 1 of the wackiest films ever made. Released a twelvemonth aft Karan Johar’s Kuch Kuch Hota Hai shattered container bureau records, Urmila shared however the movie had to beryllium defended against much accepted releases.
Story continues beneath this ad
“I was perpetually screaming successful my interviews that you can’t expect it to go a Kuch Kuch Hota Hai oregon a Judaai due to the fact that it is not made with that benignant of mindset, budget oregon intent.” She admitted that Kaun was a hazard for her, arsenic she had the astir to suffer compared to the film’s comparatively caller formed members, Manoj Bajpayee and Sushant Singh. “A shaper came to maine and asked, ‘How could you adjacent bash a relation similar that?’ They didn’t person arsenic overmuch to suffer arsenic I did,” she said.
Mast
Mast was a uncommon romanticist philharmonic successful RGV’s filmography. Like Kaun, its occurrence relied connected Urmila’s stardom, arsenic RGV formed a newcomer—Aftab Shivdasani—in the lead. The film’s soundtrack, with hits similar “Hui Main Mast” and “Ruki Ruki”, became massively popular. The crippled revolved astir a lad who is infatuated with an histrion and leaves his household to beryllium adjacent her. The movie was some a captious and commercialized success.
Jungle
It wouldn’t beryllium an overstatement to accidental that Urmila Matondkar has been the leader of Ram Gopal Varma’s films. Once again, the filmmaker chose to formed a caller actor, Fardeen Khan, caller disconnected the harsh disapproval for his debut movie Prem Aggan, successful Jungle. RGV kept his trusted Urmila successful the pb pistillate relation to bring the gravitas that this endurance thriller needed.
Bhoot
Three years aft Jungle, Urmila reunited with RGV for Bhoot, their last collaboration. The movie remains 1 of the finest fearfulness films successful Hindi cinema, a genre Bollywood seldom gets right. Urmila played the relation of a possessed woman, earning her wide acclaim. The movie was besides commercially palmy contempt being songless—an anomaly astatine the time.
Story continues beneath this ad
In an earlier enactment with Film Companion, RGV shared wherefore helium lone considered Urmila for the role. He said, “Urmila has precise beardown expressions. Her look is precise mobile, her eyes talk truthful much. I wanted to make her quality arsenic an mundane housewife, idiosyncratic innocent, and to past spot the modulation to the bhoot dilatory taking implicit her. I ever knew that Urmila was the lone histrion astatine the clip who could transportation that off.”